An episodic tale that examines themes of grief, sibling rivalry, ambition, and the repercussions of toxic masculinity as it follows the Isaacson brothers’ fumbling attempts to reestablish their childhood relationship—or what they wish that relationship had been.
In perfect tune with the complexities of modern communication and with a wry sense of humor, Aaron Burch’s epic debut novel, Year of the Buffalo, explores our stories—the ones we tell ourselves, the ones we tell each other, and the ones we might never tell at all.
Situating Poetry: Covenant and Genre in American Modernism
Joshua Logan Wall's Situating Poetry studies five poets of the New York literary scene rarely considered together: James Weldon Johnson, Charles Reznikoff, Lola Ridge, Louis Zukofsky, and Robert Hayden. Charting their works and careers from 1910–1940, Wall illustrates how these politically marginalized writers from drastically different religious backgrounds wrestled with their status as American outsiders. These poets produced a secularized version of America in which poetry, rather than God, governed individual obligations to one another across multiethnic barriers.
In this unique account of American modernist poetics, religious pluralism creates a lens through which to consider the bounds of solidarity and division within and among ethnic identities and their corresponding literatures.
Fear and Other Stories by Chana Blankshteyn
Translated by Anita Norich
Fear and Other Stories is a translation from Yiddish to English of the collected stories of Chana Blankshteyn (~1860–1939), a woman who may be almost entirely forgotten now but was widely admired during her long and productive life. The mere existence of these stories is itself a remarkable feat as the collection was published in July 1939, just before the Nazis invaded Poland and two weeks before Blankshteyn’s death. Anita Norich’s introduction argues that this is not a work of Holocaust literature (there are no death camps, partisans or survivors of WWII), but anti-Semitism is palpable, as is the threat of war and its aftermath.
Phil Christman's second book includes essays on How To Be White, How to Be Religious, How To Be Married, and more, in addition to new versions of the above. Find in it also brilliant analyses of middlebrow culture, bad movies, Mark Fisher, Christian fundamentalism, and more.
With exquisite attention to syntax and prose, the astoundingly well-read Christman pairs a deceptively breezy style with radical openness. In his witty, original hands, seemingly normal subjects are rendered exceptional, and exceptionally.
From the Syrian refugee and ecological crises, to police brutality and COVID, to the Global Seed Vault buried under permafrost, the poems ask: How does consciousness relate to the individual body, the individual to the communal, the community to our environment? How do we mourn a loved one, and how do we mourn strangers?
The magnificent poems in Canopy catalogue and reckon with humanity and the natural world, mortality, rage, love, grief, and survival.
Eco Soma: Pain and Joy in Speculative Performance Encounters
Modeling a disability culture perspective on performance practice toward socially just futures. Eco soma methods mix and merge realities on the edges of lived experience and site-specific performance. Kuppers illuminates ecopoetic disability culture perspectives, contending that disabled people and their co-conspirators make art to live in a changing world, in contact with feminist, queer, trans, racialized, and Indigenous art projects. By offering new ways to think, frame, and feel “environments,” Kuppers focuses on art-based methods of envisioning change and argues that disability can offer imaginative ways toward living well and with agency in change, unrest, and challenge.
Maybe It’s Me: On Being The Wrong Kind Of Woman
Pollack shares with poignant humor the trials of being smart and female in a world in which women are rarely appreciated for both their bodies and their minds. Maybe It’s Me is a question all women have asked themselves. But Pollack’s message will resonate with readers of all genders as a story of the very human search for connection, love, acceptance, and self-respect. The author of the groundbreaking memoir The Only Woman in the Room: Why Science Is Still a Boys’ Club, Pollack proves that even in her sixties, wiser and more bruised but no less hilarious, she is still very much in the game.
