Even though it’s an essential part of the writing process, readers typically only see a final draft, leaving the practice of revision shrouded in mystery. To combat this, Davies pulls examples from his novels The Welsh Girl and The Fortunes, as well as from the work of other writers, including Flannery O’Connor, Carmen Maria Machado, and Raymond Carver, shedding light on this slippery subject. Davies also looks beyond literature to work that has been adapted or rewritten, such as books made into films, stories rewritten by another author, and the practice of retconning in comics and film. . . an exhilarating mode of thinking about revision—that it is the writer who must change, as well as the writing.
In Borealis, Aisha Sabatini Sloan observes shorelines, mountains, bald eagles, and Black fellow travelers while feeling menaced by the specter of nature writing. She considers the meaning of open spaces versus enclosed ones and maps out the web of queer relationships that connect her to this quaint Alaskan town. Triangulating the landscapes she moves through with glacial backdrops in the work of Black conceptual artists and writers, Sabatini Sloan complicates tropes of Alaska to suggest that the excitement, exploration, and possibility of myth-making can also be twinned by isolation, anxiety, and boredom.
In her stunning twelfth poetry collection, Lightning Falls in Love, Laura Kasischke makes magic with a complex alchemy of nostalgia and fire, birdwing and sorrow. In new poems that search the murky lake for news of the past, she evokes unsayable trauma and gleans possibility. This is poetry that is existential in scope but grounded in the body, surreal yet suburban, reaching for clarity just beyond the fog of the day-to-day. Kasischke has found an entirely new way to spin beauty and pull breath from that which must be dredged up and revived before it can be left behind.
Asian American Literature in Transition, 1996–2020
Victor Mendoza, Editor
This volume is divided into four sections that plots the trajectories of, and tensions between, social challenges and literary advances. Part One tracks how Asian American literary productions of this period reckon with the effects of structures and networks of violence. Part Two tracks modes of intimacy – desires, loves, close friendships, romances, sexual relations, erotic contacts – that emerge in the face of neoimperialism, neoliberalism, and necropolitics. Part Three traces the proliferation of genres in Asian American writing of the past quarter century in new and in well-worn terrains. Part Four surveys literary projects that speculate on future states of Asian America in domestic and global contexts.
The Jewish Decadence Jews and the Aesthetics of Modernity
As Jewish writers, artists, and intellectuals made their way into Western European and Anglo-American cultural centers, they encountered a society obsessed with decadence. An avant-garde movement characterized by self-consciously artificial art and literature, philosophic pessimism, and an interest in nonnormative sexualities, decadence was also a smear, whereby Jews were viewed as the source of social and cultural decline. In The Jewish Decadence, Jonathan Freedman argues that Jewish engagement with decadence played a major role in the emergence of modernism and the making of Jewish culture from the 1870s to the present. The first to tell this sweeping story, Freedman demonstrates the centrality of decadence to the aesthetics of modernity and its inextricability from Jewishness.
Nous explores young love and the adulterants (bad parents, violence, alcohol, heroin, prison, maturation) that both heighten and inevitably truncate it. It also looks into divorce (from spouse, oneself, the world) and in doing so becomes a search beyond love’s bounds and bonds for meaning
Her Read: A Graphic Poem is a hybrid text at once poetry and visual art. In the tradition of reusing canvases, Steinorth takes a seminal text, The Meaning of Art by Herbert Read and with the liberal use of correction fluid, scalpel and embroidery floss, transforms the book from art criticism into feminist verse. Though the maternal body appears with frequency in Read’s illustrated text which spans from prehistory to the modern age, he includes zero female artists. Her Read: A Graphic Poem is an excavation of buried voices, a reclamation of bodies framed in gilt and an homage to those whose arts remain unsung.
Captioning the Archives: A Conversation in Photographs and Text
Lester Sloan began his photography career as a cameraman for the CBS affiliate in Detroit, then worked as a staff photographer in Los Angeles for Newsweek magazine for twenty-five years. His daughter, noted essayist and National Magazine Award-winning writer Aisha Sabatini Sloan, covers race and current events, often coupled with analysis of art, film, and pop culture. In this father-daughter collaboration, Lester opened his archive of street photography, portraits, and news photos, and Aisha interviewed him, creating rich, probing, dialogue-based captions for more than one hundred photographs. Lester’s images encompass celebrity portraits, key news events like Pope John Paul’s visit to Mexico, Black cultural life in Europe, and, with astonishing emotion, the everyday lives of Black folk in Los Angeles and Detroit.
A Lie Someone Told You About Yourself
A Lie Someone Told You About Yourself traces the complex consequences of one of the most personal yet public, intimate yet political decisions a family can make: to have a child, and conversely, to choose not to have a child. A first pregnancy is interrupted by test results at once catastrophic and uncertain. A second pregnancy ends in a fraught birth, a beloved child, the purgatory of further tests—and questions that reverberate down the years.
