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When Kyla Brathwaite was in high school, social media apps like Instagram and Snapchat were just beginning to grow in popularity. Teenagers took advantage of the new opportunity for clownery: “hacking” their friends’ phones by surreptitiously swiping them and posting goofy selfies or bare-all admissions of crushes. Brathwaite and her friends posted with abandon, knowing that their audience was mostly limited to their peers at school.

Today, that landscape has changed in dramatic ways, says Brathwaite, now an assistant professor of communication and media at LSA.

It’s much more common these days for someone to curate their online persona on sites and apps such as LinkedIn, Instagram, and TikTok. Self-presentation on social media has morphed into an area of expertise for scholars such as Brathwaite. For influencers, it is a monetized skillset.

In this world of curated content and ideal camera angles, how can we evaluate authenticity? What does it mean to be real?

Brathwaite teaches a new undergraduate course in the Department of Communication and Media about authenticity in a digital context. Brathwaite and her students discuss political activism and on-campus influencers, Snapchat filters and photo dumps. “You can apply the concept of authenticity to basically every topic that we talk about online,” she says.

Brathwaite hopes that her students will apply the theoretical concepts they learn in class to their own senses of social media content. Photo by Liz DeCamp
Brathwaite hopes that her students will apply the theoretical concepts they learn in class to their own senses of social media content. Photo by Liz DeCamp
Brathwaite hopes that her students will apply the theoretical concepts they learn in class to their own senses of social media content. Photo by Liz DeCamp

A Scholar’s Roots: The Body Positivity Movement

As an undergraduate, Brathwaite initially intended to pursue a path to medical school. She had always been interested in women’s health, and, while working in a nutrition lab at Cornell, she began to help with their website for women’s cardiac health intervention. Her engagement with the digital space led to a key realization: She could study health outcomes and think about media in an academic setting. Brathwaite swiftly pivoted to a major in communications. In a research methods class during her junior year, she designed a study about body image and Instagram use—a project that would set the stage for her career to come. 

A part of Brathwaite’s academic research focuses on the body positivity movement, a political phenomenon that has experienced a rise and fall in the past decade. “It started as an online grassroots movement that had its history in the era of civil rights,” she says. The fat positivity and Black is Beautiful movements in the 1960s urged acceptance of people whose appearance was outside of what was represented in mass media. 

For Brathwaite, it was the beginning of seeing authenticity as part of a social movement. The movement’s origins in civil rights, she argues, has been at best watered down and at worst elided completely by posts on social media. “Body positivity isn’t just some hashtag that you use on a selfie, or including people just to include them,” Brathwaite explains. “It’s not an appearance-based social movement, but a movement that’s accepting of all people.” 

Body positivity reached its peak during the height of the COVID pandemic, when social media displayed the power of heightened visibility. Social media users began to engage with content produced by traditionally marginalized people. Being body positive meant loving and supporting one’s authentic self, full stop—without airbrushing or alteration. 

“Because of this momentum, we did see change in terms of consumerism and representation,” Brathwaite says. “But at the same time, you saw people posting about things that were what they called ‘body positive,’ but were not necessarily what you would consider real body positivity.” She cites influencers selling makeup and weight loss pills, and companies utilizing body positivity in their rhetoric, but not having adequate representation in their advertisements. Was it real, or was it all in service of making money?

Authenticity, 2026-Style

Max Beebe (A.B. ’26), a communication and media major, took Brathwaite’s class last fall. Before his introduction to the subject, he speculated that authenticity just meant being “real.” But now that the course has ended, he finds much more nuance in the concept. 

“To me, authenticity is about whether the version of yourself you’re presenting online is still an honest representation of who you are,” he says. “Where I think authenticity starts to break down is when people intentionally mislead others or create a version of themselves that doesn’t really exist offline.”

Brathwaite has her students reflect on the course’s content by writing papers on a weekly theme, which often make them think critically about their own social media habits. In class, she and the students continually return to a common thesis. “With social media, self-presentation and impression management is everything,” she says. “You can virtue-signal and benefit from the inclusion of the social movement” by generating content that is performative and for personal gain, even when the user is not a true believer.

One reflection Beebe wrote was titled “Honest but Incomplete.” He cited his own Instagram profile as a reference. “Everything I posted was real, but it definitely wasn’t the full picture,” he says. His grid was a smorgasbord of vacations, birthdays, cozy moments with family, and milestone accomplishments. But absent were the difficult moments: personal challenges, stressful periods, and academic pressures.

Beebe suspects his approach to social media use is common. “We present the highlights because they’re easier to share, even if they aren’t the whole story.” Truth-bending and elision are present on both a micro and macro scale, particularly with news and political discussion. “Information is so accessible, but it also means misinformation spreads just as quickly,” he says.

 

One reflection Beebe wrote was titled “Honest but Incomplete.” He cited his own Instagram profile as a reference. “Everything I posted was real, but it definitely wasn’t the full picture,” he says. His grid was a smorgasbord of vacations, birthdays, cozy moments with family, and milestone accomplishments. But absent were the difficult moments: personal challenges, stressful periods, and academic pressures.

Beebe suspects his approach to social media use is common. “We present the highlights because they’re easier to share, even if they aren’t the whole story.” Truth-bending and elision are present on both a micro and macro scale, particularly with news and political discussion. “Information is so accessible, but it also means misinformation spreads just as quickly,” he says.

 

One reflection Beebe wrote was titled “Honest but Incomplete.” He cited his own Instagram profile as a reference. “Everything I posted was real, but it definitely wasn’t the full picture,” he says. His grid was a smorgasbord of vacations, birthdays, cozy moments with family, and milestone accomplishments. But absent were the difficult moments: personal challenges, stressful periods, and academic pressures.

Beebe suspects his approach to social media use is common. “We present the highlights because they’re easier to share, even if they aren’t the whole story.” Truth-bending and elision are present on both a micro and macro scale, particularly with news and political discussion. “Information is so accessible, but it also means misinformation spreads just as quickly,” he says.

Literacy, a How-To Guide

In this fast-paced digital world, what is a social media user to do? Brathwaite wants her students to leave the course with a critical understanding of self-presentation. 

“What you’re seeing is somewhat of a simulation,” she says. “It’s what people want you to see.” She promotes social media literacy, knowing that many people—herself included—will always interact with various platforms.” 

Brathwaite believes that social media use is here to stay, even with all of its pitfalls. Her students are immersed in this world, and she doesn’t necessarily want to steer them away. Rather, she says, “I want them to understand how to be a little more adept.”

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