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  1. Exhibitions
  2. Special Exhibitions
  3. Object Spotlights: Crossroads of Culture, 400–1800
  4. Crossroads of Culture, 400–1800 | Object Spotlight #4
  5. Architecture, Shelter, and Wood: Bringing Nature Indoors
  1. ...
  2. Architecture, Shelter, and Wood: Bringing Nature Indoors
    1. Exhibitions
    2. Special Exhibitions
    3. Object Spotlights: Crossroads of Culture, 400–1800
    4. Crossroads of Culture, 400–1800 | Object Spotlight #4
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  1. Exhibitions
  2. Permanent Exhibition
  3. Special Exhibitions
    1. Upcoming Exhibitions
    2. Past Exhibitions
    3. Object Spotlights: Crossroads of Culture, 400–1800
    4. Kelsey in Focus
  4. Online Exhibitions

Architecture, Shelter, and Wood: Bringing Nature Indoors

  1. Exhibitions
  2. Permanent Exhibition
  3. Special Exhibitions
    1. Upcoming Exhibitions
    2. Past Exhibitions
    3. Object Spotlights: Crossroads of Culture, 400–1800
    4. Kelsey in Focus
  4. Online Exhibitions

Coptic Relief Panels

Egypt was under Byzantine control until the 7th century. Buildings from Byzantine Cairo (Fustat) had many wood carvings in the Coptic tradition, which shaped later Islamic exemplars. As wood was rare in Egypt, wood carving was prized for installation in mosques, churches, palaces, and houses. Pine, cedar, and oak came from Syria and Türkiye, while hardwood like teak came from as far as India. These ornamental lintels and relief panels showcase a great variety of texture, grain, and color; they also include Christian symbols such as Greek crosses, as well as the Greek letters alpha and omega.

Browse Objects

Lintel
Carved wood
Late Antique (3rd–8th century CE)
Cairo, Egypt. P. Tano purchase, 1935. KM 10192

Despite its truncated ends, this lintel remains well preserved. It bears a Greek cross at the center, a hare and gazelle on either side, and a Coptic inscription that reads, “Lord, God, the Father with his beloved Son, with the Holy Spirit, bless this house, Amen.” The elegant low relief indicates that the wood-carver chiseled out the abstracted animal forms and the surrounding acanthus leaves with dexterity. The hare motif draws upon an Egyptian hieroglyph meaning the “good being,” and the gazelle symbolizes long life.

Relief Panel
Relief Panel
Carved wood
Fatimid Period (12th century CE)
Egypt. P. Tano purchase, 1935. KM 10177

A symmetrical, interlacing pattern runs along the entire length of this long but fragmented panel, which once formed the side of a door or window. Other similar panels would have included abstract forms of various animals entwined within such interlaced vegetation.

Painted Door Panel
Carved wood, paint
Late Antique (8th century CE)
Egypt. P. Tano purchase, 1935. KM 10127

A large floral roundel and part of an arch enclose acanthus leaves at the coving of this panel. Traces of red pigment surround the leaves and petals on the roundel, while overlapping diamond-shaped incisions line the partial arch.

Relief Panel
Carved wood
Fatimid Period (11th–12th century CE)
Egypt. P. Tano purchase, 1935. KM 10133

Likely forming the top part of an altar box, the gouged part of this panel resembles a sanctum under an arch, which is similar to earlier Coptic stone carvings. The covings on either side bear low reliefs of swirling vine and foliage.

Lintel
Carved wood, iron
Late Antique (6th–7th century CE)
Egypt. P. Tano purchase, 1935. KM 10194

This fragmented wooden lintel bears an unidentified Coptic inscription. At the center is a Greek cross appearing as a four-petaled flower surrounded by foliage. On either side are the letters alpha (A) and omega (Ω), stylized with birds and rosettes. Alpha and omega are the first and last letters of the Greek alphabet, signaling God and Christ. As the symbols invoke victory and protection, lintels such as this one were placed above the entrances of churches or houses.

Relief Panel
Carved wood
Fatimid Period (11th–12th century CE)
Egypt. P. Tano purchase, 1935. KM 10214

This relief was part of a larger door or window. It includes intertwined vines enclosing abstract motifs that are now abraded.

Relief Panel
Carved wood
Late Antique (3rd–8th century CE)
Egypt. P. Tano purchase, 1935. KM 10191

The deeply incised reliefs on this panel include interwoven vines with acanthus leaves. Although portions of the relief appear worn out, much of it remains intact. The tenon (or joint) projecting at one end indicates that this panel may have been framed within a door or window.

Relief Panels
Carved wood
Late Antique (3rd–8th century CE)
Egypt. P. Tano purchase, 1935. KM 10150, KM 10151

This heavily abraded pair of wood pieces has been put together as a single panel consisting of a tracery with intertwined vines. Each twine encloses a four-petaled floral motif and forms part of a longer frieze.

Lintels from Islamic Egypt

Wooden panels with Arabic inscriptions can be seen ringing a room in the home of Solyman Agha, Description de l’Égypte, État Moderne, vol. I, pl. 51.1 (Paris: Imprimerie Impériale, 1809). KM 2003.4.1p

Wood carving flourished in Egypt under Islamic rule, especially during the 11th and 12th centuries. At this time, mosques, palaces, and houses were decorated with wooden architectural friezes. These lintels—serving as beams above doors or as panels affixed to walls in private residences—often offer blessings in the Arabic language. The examples here all read, “Perfect blessing and complete grace and perpetual happiness,” or a fragment thereof. These epigraphic bands thus embellished structures and mediated movement between the domestic and natural worlds while offering well-wishes to their owners, dwellers, and visitors.

Browse Objects

Inscribed Panel
Carved wood
Fatimid Period (11th–12th century CE)
Egypt. P. Tano purchase, 1935. KM 10205

[Wa] ni‘ma shamila wa sa‘ad[a].
And perfect grace and happiness.

Inscribed Panel
Carved wood
Fatimid Period (11th–12th century CE)
Egypt. P. Tano purchase, 1935. KM 10201

[Bara]ka kamila wa ni‘ma shamila wa sa‘ada da’[ima].
Perfect blessing and complete grace and perpetual happiness.

Inscribed Panel
Carved wood
Fatimid Period (11th–12th century CE)
Egypt. P. Tano purchase, 1935. KM 10204

[Shami]la wa sa‘ada da’ima.
[Complete] and perpetual happiness.

Inscribed Panel
Carved wood
Fatimid Period (11th–12th century CE)
Egypt. P. Tano purchase, 1935. KM 10206

[Ba]raka kamila wa ni‘ma sha[mila].
Perfect blessing and [complete] grace.

Inscribed Panel
Carved wood
Fatimid Period (11th–12th century CE)
Egypt. P. Tano purchase, 1935. KM 10207

[…] da’ima wa ‘izz li’l-wa[lid?].
Perpetual […] and glory to the [son?].

Although now truncated and unclear, the inscription may have praised the house’s owner by name.

Kelsey Museum of Archaeology
434 South State Street
Ann Arbor, MI 48109-1390
kelseymuse@umich.edu
(734) 764-9304
(734) 763-8976
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