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  1. Exhibitions
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  3. Object Spotlights: Crossroads of Culture, 400–1800
  4. Crossroads of Culture, 400–1800 | Object Spotlight #4
  5. Fibers and Form: Cloth of Coverage and Culture
  1. ...
  2. Fibers and Form: Cloth of Coverage and Culture
    1. Exhibitions
    2. Special Exhibitions
    3. Object Spotlights: Crossroads of Culture, 400–1800
    4. Crossroads of Culture, 400–1800 | Object Spotlight #4
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  1. Exhibitions
  2. Permanent Exhibition
  3. Special Exhibitions
    1. Upcoming Exhibitions
    2. Past Exhibitions
    3. Object Spotlights: Crossroads of Culture, 400–1800
    4. Kelsey in Focus
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Fibers and Form: Cloth of Coverage and Culture

  1. Exhibitions
  2. Permanent Exhibition
  3. Special Exhibitions
    1. Upcoming Exhibitions
    2. Past Exhibitions
    3. Object Spotlights: Crossroads of Culture, 400–1800
    4. Kelsey in Focus
  4. Online Exhibitions

Clothing and accessories served practical and symbolic functions in the premodern world—protecting the body, maintaining temperature, and signaling social status or cultural affiliation. Textiles reflect not only humanity’s creativity in capturing natural motifs but also its adaptation to and consumption of the natural environment.

From 400 to 1800 CE, fibers used in textile production were primarily sourced from plants and animals. Linen, cotton, wool, and silk formed the foundation of garments across regions, while dyes derived from plants, insects, and minerals produced a wide range of vibrant and lasting colors. As people and goods circulated throughout the Middle East and North Africa, the materials and techniques used in textile making diversified. Fabrics from this period display a rich array of textures, colors, and patterns, brought to life through embroidery, weaving, dyeing, and printing. These methods were not just decorative; they were also expressive—serving as markers of community, tradition, and skilled craftsmanship.

Additional images of textiles from the Kelsey Museum and the Museum of Anthropological Archaeology can be found here. These pieces reveal how natural materials were creatively adapted to meet both everyday needs and cultural expression.

Browse Objects

Spindle Whorl
Bone (unidentified)
Islamic Period (9th–10th century CE)
Fustat, Egypt. ARCE collection. KM 1969.2.61

This small, carved disk sat on top of a long, narrow rod. Together, these pieces worked as a tool for spinning thread.

Polychrome Textile with Pseudo-Arabic Inscription
Bast, linen, silk
Probably 12th–13th century CE
Fustat, Egypt. P. Tano collection, 1935. KM 94165

Cap (Turtur)
Cotton or linen
Mamluk Period (13th–15th century CE)
Egypt. P. Tano purchase, 1935. KM 94075

A common item in Middle Eastern and North African dress, the turban varied in size and shape to reflect social status and identity. This small, patterned cap may have served as the base for wrapping a turban cloth, offering both structure and ornament. Such caps were worn by men and women in urban and rural communities.

The man represented in this image is weaving cloth on a horizontal loom, wearing a small cap with a turban wrapped around it, Description de l’Égypte, État Moderne, vol. II, pl. 14 (Paris: Imprimerie Impériale, 1812). KM 2003.4.1f

Kelsey Museum of Archaeology
434 South State Street
Ann Arbor, MI 48109-1390
kelseymuse@umich.edu
(734) 764-9304
(734) 763-8976
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