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  1. Exhibitions
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  3. Object Spotlights: Crossroads of Culture, 400–1800
  4. Crossroads of Culture, 400–1800 | Object Spotlight #4
  5. Animals: Labor, Livelihood, and Art
  1. ...
  2. Animals: Labor, Livelihood, and Art
    1. Exhibitions
    2. Special Exhibitions
    3. Object Spotlights: Crossroads of Culture, 400–1800
    4. Crossroads of Culture, 400–1800 | Object Spotlight #4
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  1. Exhibitions
  2. Permanent Exhibition
  3. Special Exhibitions
    1. Upcoming Exhibitions
    2. Past Exhibitions
    3. Object Spotlights: Crossroads of Culture, 400–1800
    4. Kelsey in Focus
  4. Online Exhibitions

Animals: Labor, Livelihood, and Art

  1. Exhibitions
  2. Permanent Exhibition
  3. Special Exhibitions
    1. Upcoming Exhibitions
    2. Past Exhibitions
    3. Object Spotlights: Crossroads of Culture, 400–1800
    4. Kelsey in Focus
  4. Online Exhibitions

Animals were central to everyday life across the Byzantine and Islamic worlds, woven into the rhythms of work, food production, and artistic expression. They were not only sources of sustenance but also provided essential craft materials such as leather, wool, bone, and ivory. Many animals served as laborers and companions as well, transporting people and goods across vast landscapes, contributing to agricultural production, and shaping urban life.

The objects shown here reflect two aspects of human-animal relationships: the utilitarian uses of animals and their symbolic presence in the visual culture of the Byzantine and Islamic worlds. Animal products often found a “second life” as tools, decorative goods, or gaming pieces—ivory, for instance, was transformed into intricately carved objects that blended craftsmanship with the natural qualities of the material.

Camels, emblematic of arid landscapes, are especially notable as beasts of burden. Here, small figurines capture the camel’s form, bringing a familiar figure of the external world into the intimate space of the home. Horses and deer, too, appear frequently in visual culture, often idealized in textiles and ceramics. These representations speak to more than admiration—they reflect animals’ roles in identity, status, and the imagined world of domestic spaces.

Browse Objects

Figurine Fragment
Bone (unidentified)
Islamic Period (9th–10th century CE)
Fustat, Egypt. ARCE collection. KM 1969.2.94

Relief of a Deer
Ceramic, mortar, slip
Byzantine Period (5th–6th century CE)
Carthage, Tunisia. P. Delattre purchase, 1893. KM 77

Camel Astragalus Bone
Date Unknown
Seleucia, Iraq. U-M excavations, 1920s–1930s. KM 17983

An astragalus is a small bone located in the ankle joint of animals. These bones are famous for their secondary use as dice, either for recreational games or divination purposes.

Plaque
Ivory
Late Roman–Late Antique (3rd–8th century CE)
Egypt. A. G. Ruthven collection. KM 1962.1.11

Camel Figurine
Clay (unfired)
Roman Period (1st–4th century CE)
Karanis, Egypt. U-M excavations, 1935. KM 6879

Camel Figurine Fragment
Ceramic with slip
Parthian Period (150 BCE–200 CE)
Seleucia, Iraq. U-M excavations, 1920s–1930s. KM 16371

Camel Figurine Fragment
Clay (unfired)
Parthian Period (150 BCE–200 CE)
Seleucia, Iraq. U-M excavations, 1920s–1930s. KM 31645

Tapestry Roundel with Horse and Deer
Bast, wool
Islamic Period (8th–9th century CE)
Egypt. P. Tano purchase, 1935. KM 22713

Kelsey Museum of Archaeology
434 South State Street
Ann Arbor, MI 48109-1390
kelseymuse@umich.edu
(734) 764-9304
(734) 763-8976
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