U-M German Faculty & Graduate Student Presentations at 2016 GSA Conference in San Diego, September 29 - October 2
U-M Faculty/Grad Students presenting at GSA 2016 |
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NAME |
PAPER TITLE |
PANEL TITLE |
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Alice Goff |
COMMENTATOR |
Rethinking Space Under State Socialism |
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Andreas Gailus |
MODERATOR |
Re-reading Kant’s Critique of Judgment |
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Damani Partridge |
ROUNDTABLE |
“Other” Subject Positionings/Positionalities in German Studies (Sponsored by the Black Diaspora Studies Network) |
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Elizabeth Nijdam |
MODERATOR |
The German Graphic Novel (2): Age |
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Elizabeth Nijdam |
Germanga: The Hybridity and Feminisms of German Manga |
The German Graphic Novel (3): Nation and Identity |
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Geoff Eley |
Moderator |
Ten Days that Shook the Century? Modernity and the Meaning of the Russian October Revolution |
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Geoff Eley |
ROUNDTABLE |
Whose Alltag? Race, Refugees, and German Studies: A Roundtable Sponsored by the GSA’s Alltag Network |
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Helmut Puff |
MODERATOR |
Germans in the Pacific, 1650–1850 |
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Johannes v. Moltke |
COMMENTATOR |
German Visual Culture Network (3): The Place of the Human in Contemporary Visual Culture |
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Johannes v. Moltke |
Humanism and the History of Film Theory |
German Visual Culture Network (4): Theorizing the (Post)Human in Visual Culture |
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Kathleen Canning |
COMMENTATOR |
Revolution 1918/19: New Studies on Germany and Central Europe after the F irst World War |
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Kathleen Canning |
MODERATOR |
Transforming the “Family” in Modern Germany |
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Kathryn Holihan |
Sachlich, einfach, deutlich: The 1911 International Hygiene Exhibition as Massenbelehrung |
Exhibiting Sachlichkeit: The Rationalization of Display, 1900–1930 |
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Kristin Dickinson |
MODERATOR |
Minorities and Minority Discourses in Germany since 1990 (1): Theater and Film, Theory and Practice (Sponsored by the Black Diaspora Studies Network) |
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Kristin Schroeder |
Café Samt und Seide: Sachlichkeit and the Fashionably Clad at “Die Mode der Dame” (1927) |
Exhibiting Sachlichkeit: The Rationalization of Display, 1900–1930 |
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Mary Hennessy |
Mädchen or Maschine?: Gender and the Posthuman in Friedrich Kittler’s History of the Typewriter |
German Visual Culture Network (4): Theorizing the (Post)Human in Visual Culture |
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Rita Chin |
ROUNDTABLE |
“Other” Subject Positionings/Positionalities in German Studies (Sponsored by the Black Diaspora Studies Network) |
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Samuel Heidepriem |
Free Play in Kant, Schiller, and Poststructuralism |
Goethe at Play: Theories, Narratives, and Practices of Play in the Goethezeit (3) (Sponsored by the Goethe Society of North America) |
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Tyler Whitney |
Sprechpositionen: Sonic Assemblages in Jandl and Mayröcker’s “Fünf Mann Menschen“ |
Music and Sound Studies (1): Music and Sound Traveling through Space |
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Tyler Whitney |
COMMENTATOR |
Adapting “Kultur”: Music, Memory, and Identity |
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NAME |
SEMINAR TITLE |
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Alice Goff |
Material Culture and Its Discontents |
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Andrea Rottmann |
Making Democratic Subjectivities II: Margins, Centers, Intersection |
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Andreas Gailus |
Philosophy in Literature, Literature as Philosophy |
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David Spreen |
Biographical Approaches to Germany’s Divided Past |
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Emma Thomas |
Writing Histories of Germans Abroad: Approaches and Methodologies to German Sources on the Global South |
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Helmut Puff |
Material Culture and Its Discontents |
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Kathleen Canning |
Making Democratic Subjectivities II: Margins, Centers, Intersection |
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Kira Thurman |
The Future of Digital Humanities in German History and German Studies |
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Kristin Dickinson |
Writing Histories of Germans Abroad: Approaches and Methodologies to German Sources on the Global South |
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Peter McIsaac |
Material Culture and Its Discontents |
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Scott Spector |
Making Democratic Subjectivities II: Margins, Centers, Intersection |
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