About
Rosa's dissertation project, "We, as Clayworkers: Ceramics, Labor and Collectivity," traces three historical moments of labor organizing in ceramics that cemented, stretched, or re-shaped collectivity among the "clayworkers". She is a member of the Marxism Lab, and one half of the small press, Each and Every. Previous work has included archival research and writing on the designer Edith Heath, explorations of the social histories of clay and glaze materials, and the creation of an artist-run space and residency program across ceramics and print. She holds a BFA in Ceramics from California College of the Arts (2017).
