COMPLIT 100. Global X
This course explores elements of contemporary US American popular culture within a global framework. Richly contextualized, "Sports Culture," "Apocalypse," "Fairy Tales," or "Vampires" emerge in their complex historical and transnational dimensions. Through a careful selection of guest lectures, "Global X" serves as an introduction to Comparative Literature.
COMPLIT 122. Writing World Literatures
An intensive writing course designed to increase cultural literacies and to fulfill the LSA First-Year Writing Requirement. It requires intense work on composition, argumentation, and contextualization of the creative texts from a comparative perspective. Topics and readings vary by instructor.
COMPLIT 140. First-Year Literary Seminar
A course in the LSA First-Year Seminar Program. Led by a faculty member, this course is a study of selected topics in literature through classroom discussion and the writing of essays.
COMPLIT 141. Great Performances
What makes a "great" performance? This course considers the relation between tradition and innovation in performing "great" works in music, theatre, dance. Students attend live performances and explore the concept of performance from various historical, critical, and creative perspectives; they also develop their skills in writing about performance. Fulfills the LSA First-Year Writing Requirement.
COMPLIT 200. Translation Across Disciplines
This course introduces translation as a movement across languages, media, cultures, discourses, and disciplines. We will explore the following questions: Why and how should we think about translation? What is translation? Who translates? When and where do we encounter translation in our daily lives, in our communities, and in the world at large?
COMPLIT 222 / GTBOOKS 212. Great Books in World Literatures
In this course students read great books of world literature across temporal and geographic boundaries, to explore a central theme (for example, “Revolution” or “The City”). The course encourages students to appreciate the complexity of texts in diverse cultural contexts, and to reflect on the idea of “World Literature.”
COMPLIT 240. Literature Across Borders
Emphasizing international and interdisciplinary approaches to literary studies, this course introduces students to current topics in comparative literature. Readings come from Western and non-Western cultures and are considered within a variety of contexts. May be counted toward the International Studies subplan in Comparative Culture and Identity.
COMPLIT 241. Topics in Comparative Literature
An introduction to the range of comparative literature through topics representative of the discipline. Subjects vary but might include literary periods or movements (e.g., symbolism), genres (e.g., comedy), themes (e.g., the Don Juan theme), influence across national boundaries, relations between literature and other disciplines.
COMPLIT 250. Translating Race and Ethnicity in Local and Global Contexts
Students will develop a broad understanding of the ways the complex vocabulary of race, ethnicity, identity and belonging responds to local contexts by comparing translations in literature and popular media surrounding current topics. They will build critical skills in close reading and analytic writing in response to assigned examples.
COMPLIT 300. Global Humanities
Explores topics in world cultures with a global perspective and a humanities point of view: how different human societies respond imaginatively to pressing issues like "Human Rights," "Revolutions," or "Religious Conflict" and manifest their understandings in specific cultural productions and practices across media, including film, literature, and visual cultures.
COMPLIT 310 / PHIL 310. Topics in Literature and Philosophy & COMPLIT 311 / PHIL 311. Topics in Philosophy and Literature
This course explores literary works and philosophy and how this relation changes. Important issues might include human rights, racism, politics. This course provides the opportunity for offerings on special topics by Comparative Literature and Philosophy faculty in a variety of course formats. Topics vary by section and term.
COMPLIT 313 / AMCULT 368 / SM 361. City of Champions: Detroit Sports Culture in Context
This course introduces students to the intersection of sports and urban history and culture in Detroit. Contextualizing local athletes, teams, and events- such as Joe Louis, the Tigers, the "Malice at the Palace" -teaches students about race relations, urban planning, and the centrality of sports in communal identity formation.
COMPLIT 322. Translating World Literatures
This course provides an opportunity for students to use their skills in a foreign language to think about the history, theory, and practice of translating literary texts, and to work on a translation project of their own choosing. To meet the Upper-Level Writing Requirement, the course is structured around a series of critical and creative writing assignments. The course also includes a range of readings in translation studies, with an emphasis on the cultural function of translation and the role of the translator in cross-cultural communication.
COMPLIT 323. Adapting World Literatures
This course introduces students to the circulation of world literatures through various forms of adaptation across space and time, genres and media. Students consider how literature is adapted to produce new meanings, explore approaches to multi-modal writing, and create their own adaptation of a literary work as a final project. Meets the Upper-Level Writing Requirement.
COMPLIT 340 / MODGREEK 340. Travels to Greece
The course examines the literature of modern travel to Greece and the issues it raises about antiquity, modernity, ethnography, otherness, exoticism, orientalism, and Western identity. Readings include works by British, French, German, American, and Greek authors. Art, film, and the media are also used to provide different measures of comparison.
COMPLIT 341 / GREEKMOD 341. Greek Myth in Film
This course introduces students to uses of Greek myths in film across genres and cultures. By following the travels and transformations of stories once found in Greek poetry and drama into the modern medium of film, students will gain knowledge of key myths and familiarity with film technology storytelling.
COMPLIT 350. The Text and Its Cultural Context
A comparative study of literature and some expository writing from diverse cultures, focusing on the interdependence of text and context.
COMPLIT 352 / JUDAIC 352 / MIDEAST 357. Encounters with the Undead: Golems, Ghosts, and other Monsters
This course explores the undead of modern Jewish cultures across the globe through folklore, drama, film, fiction, and comics. We encounter the magic of animated golems and the horror of the souls of sinners that possess the living. We explore what these monstrous traditions reveal about issues of belonging, gender, race, disability, and hybridity.
COMPLIT 362. Comparative Studies in Form and Genre.
This topics course provides a general introduction to comparative studies in form and genre. Subject matter might include comparative poetics or the study of the novel across national boundaries. It might include comparative studies of such literary forms as the epic, lyric, or sonnet. In each case, a basic understanding of the issues of form or genre would supplement the close examination of literary works.
COMPLIT 364. Comparative Literary Movements and Periods
This topics course proves an introduction to studies in literary movements and periods across national boundaries. Examples include the traditional literary periods such as Romanticism or Modernism as well as movements such as surrealism, dada, or futurism, to name only a few. In each case, a basic understanding of the issues concerning literary movement or period would supplement the close examination of literary works.
COMPLIT 372. Literature and Identity
This course explores the emergence of literary works in relation to identity, tracing how literary and human kinds relate and how this relation changes. Important issues might include how specific cultural contexts affect the making and reading of literary works, how attempts to preserve ethnic heritage and memories play out through literature, and how migration and globalization influence literary creation and meaning.
COMPLIT 374. Literature and the Body
This course interrogates the corporeal context of literary creation and meaning. It focuses not only on the influence of gender, sex, ability, disability, and race within the world of the text but questions the relation between literary and bodily form. Is the body a text, or is it an origin for texts? Do we write out of the body or is the body itself written? How do the body of the text and the text of the body interact to create meaning?
COMPLIT 376. Literature and Ideas
This course offers a general consideration of the ways in which particular ideas have affected the creation and history of literature, whether considered in terms of the history of ideas or as the content of an individual work. Its subject matter is varied, depending on the instructor. It might address the influence of "freedom" in a selection of literary works. It might track the influence of the French Revolution. It might invent other new and useful keys to literary interpretation.
COMPLIT 382. Literature and the Other Arts
This course introduces students to the interdisciplinary study of literature and the arts. It poses general questions about the concerns shared by different media (language, paint, music, etc.) as well as arguments between them. It introduces students to basic ideas about aesthetics broadly conceived and permits an exploration of art issues in an inclusive climate where language, music, and the representational arts may come together.
COMPLIT 384. Literature and the Other Disciplines
This course introduces students to the study of literature and its relation to other disciplines, such as anthropology, history, law, linguistics, philosophy, political science, psychology, and others. It poses general questions about the concerns shared by different disciplines as well as arguments between them. It introduces students to basic ideas about how literature connects with fields of knowledge distinctly defined and broadly conceived, contributing to fundamental discussions about how knowledge is formed and disseminated.
COMPLIT 422. Comparing World Literatures and Cultures
An advanced seminar studying literature and cultures in a globalizing world. What does "literature" mean when considered in a comparative global context? The course is designed to encourage theoretical and interdisciplinary thought about pressing issues in the Humanities.
COMPLIT 434. Comparative Studies in Poetry
Advanced introduction to the comparative study of poetry.
COMPLIT 438. Comparative Studies in Film
An advanced introduction to the comparative study of film.
COMPLIT 490. Comparative Cultural Studies
An advanced intro to comparative studies in culture and cultural theory. Approaches will vary but might include questions of social identity, formations of social discourse, postcolonialism, issues of cultural racism and status of "national" identity.
COMPLIT 492. Comparative Literary Theory
An advanced intro to comparative studies in literary theory. Topics might include narrative theory, gender theory, ideology, semiology, and postmodernism.
COMPLIT 494. Translation Practicum
This course introduces the practice of translation in professional contexts, with flexibility for the instructor to invite practicing translators to the class. Students learn about a variety of careers in translation and/or practice specific translation skills and tools. This course currently hosts the Canon Translation Journal.
COMPLIT 495. Capstone Seminar in Comparative Literature
This course serves as the culmination of undergraduate work in Comparative Literature. The course includes readings of theoretical and literary works; and student presentations of seminar papers developed in tutorials with the instructor.
COMPLIT 496. Honors Thesis
Tutorial for writing the honors thesis, a paper usually begun in the Capstone Seminar in Comparative Literature or Translation Capstone Seminar taken in a previous term. (Independent Study course, requires a faculty advisor).
COMPLIT 497. Translation Capstone Seminar
This course is designed for undergraduate translation majors and minors to propose, develop, and complete an individualized capstone project. The instructor supports student progress and fosters a community of practice. Towards the end of the semester, students can participate in a public presentation of their capstone projects.
COMPLIT 498. Directed Reading
This course is individually developed by a student in consultation with an instructor who may be any Associate Faculty member of the Program. (Independent Study course, requires a faculty advisor).
