In this episode, film scholar Olga Gershenson (University of Massachusetts Amherst; co-head fellow at the Frankel Institute for Advanced Judaic Studies, (University of Michigan) discusses her project, The Oxford Handbook of Judaism and Film, a 38-chapter Oxford University Press volume available online through library access. She explains why she chose “Judaism and film” over the slippery category “Jewish film,” moving beyond binary in/out definitions to examine production, distribution, reception, interpretation, religion on and off screen, expanded geographies, and non-realist genres like horror. Gershenson contrasts conventional Jews-in-film narratives centered on American Jewish experience and Hollywood with global case studies including Jewish women stars in early Indian cinema, Malayalam films nostalgically reconstructing Kerala’s Jewish past, and the extensive network of Jewish film
festivals originating in 1981 San Francisco. She also highlights transnational dybbuk adaptations and Israeli religious-horror television, arguing for curiosity and openness to the field’s breadth.
