September 23, 2014 - Joseph Lam, Director of the Confucius Institute at U-M, Professor of Musicology, University of Michigan
Traditional China pairs up music (yue) and eroticism to inform on one another, generating many operatic shows and debates about its performance arts and gender relationships. A representative and entertaining one is, for example, the kunqu (classical Chinese opera) play entitled "Captured Alive," a drama that tells the ghost of Yan Poxi strangling Zhang Sanlang, her human lover, and taking him to hell to resume their illicit love affair. Critical analyses of the play underscore that kunqu performances multivalently portray Chinese men's desire for and anxiety about musically talented and sexually appealing women.