U-M German Faculty & Graduate Student Presentations at 2016 GSA Conference in San Diego, September 29 - October 2
U-M Faculty/Grad Students presenting at GSA 2016 | |||
NAME | PAPER TITLE | PANEL TITLE | |
Alice Goff | COMMENTATOR | Rethinking Space Under State Socialism | |
Andreas Gailus | MODERATOR | Re-reading Kant’s Critique of Judgment | |
Damani Partridge | ROUNDTABLE | “Other” Subject Positionings/Positionalities in German Studies (Sponsored by the Black Diaspora Studies Network) | |
Elizabeth Nijdam | MODERATOR | The German Graphic Novel (2): Age | |
Elizabeth Nijdam | Germanga: The Hybridity and Feminisms of German Manga | The German Graphic Novel (3): Nation and Identity | |
Geoff Eley | Moderator | Ten Days that Shook the Century? Modernity and the Meaning of the Russian October Revolution | |
Geoff Eley | ROUNDTABLE | Whose Alltag? Race, Refugees, and German Studies: A Roundtable Sponsored by the GSA’s Alltag Network | |
Helmut Puff | MODERATOR | Germans in the Pacific, 1650–1850 | |
Johannes v. Moltke | COMMENTATOR | German Visual Culture Network (3): The Place of the Human in Contemporary Visual Culture | |
Johannes v. Moltke | Humanism and the History of Film Theory | German Visual Culture Network (4): Theorizing the (Post)Human in Visual Culture | |
Kathleen Canning | COMMENTATOR | Revolution 1918/19: New Studies on Germany and Central Europe after the F irst World War | |
Kathleen Canning | MODERATOR | Transforming the “Family” in Modern Germany | |
Kathryn Holihan | Sachlich, einfach, deutlich: The 1911 International Hygiene Exhibition as Massenbelehrung | Exhibiting Sachlichkeit: The Rationalization of Display, 1900–1930 | |
Kristin Dickinson | MODERATOR | Minorities and Minority Discourses in Germany since 1990 (1): Theater and Film, Theory and Practice (Sponsored by the Black Diaspora Studies Network) | |
Kristin Schroeder | Café Samt und Seide: Sachlichkeit and the Fashionably Clad at “Die Mode der Dame” (1927) | Exhibiting Sachlichkeit: The Rationalization of Display, 1900–1930 | |
Mary Hennessy | Mädchen or Maschine?: Gender and the Posthuman in Friedrich Kittler’s History of the Typewriter | German Visual Culture Network (4): Theorizing the (Post)Human in Visual Culture | |
Rita Chin | ROUNDTABLE | “Other” Subject Positionings/Positionalities in German Studies (Sponsored by the Black Diaspora Studies Network) | |
Samuel Heidepriem | Free Play in Kant, Schiller, and Poststructuralism | Goethe at Play: Theories, Narratives, and Practices of Play in the Goethezeit (3) (Sponsored by the Goethe Society of North America) | |
Tyler Whitney | Sprechpositionen: Sonic Assemblages in Jandl and Mayröcker’s “Fünf Mann Menschen“ | Music and Sound Studies (1): Music and Sound Traveling through Space | |
Tyler Whitney | COMMENTATOR | Adapting “Kultur”: Music, Memory, and Identity | |
NAME | SEMINAR TITLE |
| |
Alice Goff | Material Culture and Its Discontents | ||
Andrea Rottmann | Making Democratic Subjectivities II: Margins, Centers, Intersection | ||
Andreas Gailus | Philosophy in Literature, Literature as Philosophy | ||
David Spreen | Biographical Approaches to Germany’s Divided Past | ||
Emma Thomas | Writing Histories of Germans Abroad: Approaches and Methodologies to German Sources on the Global South | ||
Helmut Puff | Material Culture and Its Discontents | ||
Kathleen Canning | Making Democratic Subjectivities II: Margins, Centers, Intersection | ||
Kira Thurman | The Future of Digital Humanities in German History and German Studies | ||
Kristin Dickinson | Writing Histories of Germans Abroad: Approaches and Methodologies to German Sources on the Global South | ||
Peter McIsaac | Material Culture and Its Discontents | ||
Scott Spector | Making Democratic Subjectivities II: Margins, Centers, Intersection | ||
