Brian Miller

Brian Miller is a scholar of music and technology. His research focuses on the role of computation in musical theory and practice, with publications on topics including computer improvisation and the stylistic modeling of jazz, the role of information theory in postwar music theory, and the semiotics of musical algorithms.

As a lecturer in the Program in Computing for the Arts and Sciences, he teaches courses on critical computing and computing in the arts.

Academic publications:

“Language, Gesture, Style: Adorno’s Theory of Musical Reproduction between Musicology and Art History.” In Dialektik der Schrift: Zu Adornos Theorie der musikalischen Reproduktion, 2022

“Digital Scores, Algorithmic Agents, Encoded Ontologies: On the objects of musical computation.” In Material Cultures of Music Notation: New Perspectives on Musical Inscription, 2022

“Leonard Meyer’s Theory of Musical Style, from Pragmatism to Information Theory.” Resonance: The Journal of Sound and Culture 2.4 (2021)

“‘All of the rules of jazz’: Stylistic Models and Algorithmic Creativity in Human-Computer Improvisation.” Music Theory Online 26.3 (September 2020)