Assistant Professor of Music, Musicology
About
Inderjit N Kaur is an ethnomusicologist specializing in South Asian musical cultures with a focus on Sikh musical worship. Her analytical interests include affect, senses, phenomenology, and transnationalism. In addition to her PhD in music (from UC Berkeley), Kaur also holds a PhD in Agricultural and Resource Economics (from UC Berkeley as well) and taught economics for several years before switching her career to music.
Kaur has made several critical interventions in Sikh studies: on the meaning of the term ghar in the musical designations of the Sikh primary scripture (2008); on the circulation of the term gurmat sangeet amongst scholars, musicians, and congregations (2011); and on authenticity debates about musical genres and styles among various stakeholders (2016). Her articles are used regularly by scholars for readings in courses on South Asian musical traditions.
Kaur’s research builds on her lifetime of participation in Sikh musical worship, including many years as an amateur singer of Sikh sabad kīrtan (sacred song), and her native understanding of and deep engagement with sacred texts. She has worked with Sikhs from diverse backgrounds and from around the globe, in India and the diaspora.
Kaur’s research is bringing new insights on Sikh culture through her use of analytical lenses and methodologies that uncover the embodied processes of musical worship. Her current research explores the sensory and affective dimensions of Sikh musical worship, focusing on listeners’ experiences. An important aspect of her research methodology is its grounding in sensory ethnography.
Kaur’s forthcoming monograph from Oxford University Press investigates the phenomenological, music-analytical, and historical aspects of the diverse musical genres and styles of Sikh musical worship. Her second book project explores the role of sacred song as connective tissue in Sikh transnationalism. Kaur’s publications appear in journals such as the Yearbook of Traditional Music, MusiCultures, and Civilisations. She has chapters forthcoming in several edited volumes, including The Oxford Handbook of Phenomenological Ethnomusicology. Her research has been supported by the Foreign Language and Area Studies Fellowship, and the University of Michigan Office of Research.
