Sacred Scriptures in a Secular Society: Hand-copying Buddhist Texts
- All News
-
- Search News
- Archived News
- "RayFest" Honors Professor Ray Van Dam
- Leap Year: A Glitch in Time
- The Humanity of the Medieval Wildman
- How Islam Became a Matter of State
- Sharon Herbert named Distinguished University Professor
- Linda Gregerson to present Henry Russel Lecture
- Helmut Puff Named Director of Eisenberg Institute of Historical Studies
- Peggy McCracken Appointed to Lead U-M Institute for the Humanities
- The Impostor Sea: A Report from the Archives
- Sacred Scriptures in a Secular Society: Hand-copying Buddhist Texts
- Medieval-Early Modern Theme for 2018-19 Frankel Fellows
- Animals in Late Antiquity
- Premodern Japanese Crests in Play at Ann Arbor Downtown Library
- Alum Alison de Simone Wins Ruth Solie Prize for Outstanding Article on British Music
- New Gifts to Support Medieval Art Scholarship
- Alice Sullivan and Theresa Tinkle Featured in Latest Speculum
- All Events
- The Premodern Colloquium
On Friday, April 6, the University Library and the U-M Center for Japanese Studies cosponsored a symposium entitled Sacred Texts in a Secular Society: Handcopying Buddhist Texts in Japan.
In Japan, the copying of Buddhist texts by hand is done by religious and non-religious people alike. This meditative activity cultivates inner focus and attention. But the vital practice of hand-tracing religious texts-- whether with brush, pen, or electronic device - is little known outside Japan.
The symposium introduced shakyō, the living tradition of copying Buddhist texts by hand, by means of two morning lectures that surveyed the uninterrupted production of shakyō from the 8th century through the 20th century. In the afternoon, the focus shifted to how shakyō is practiced today in Japan, including a hands-on opportunity for participants to copy a short Buddhist text themselves. Dawn Lawson, Head, Asia Library, and Associate Professor of Japanese Religion, Micah Auerback, Asian Languages and Cultures, co-organized the event, which accommodated 30 participants and generated a short waiting list as well. For a fascinating account of the procedings, see Paula Curtis's Twitter feed.